Landscape as typography, the German word for book, "Buch" comes from the tree species, beech trees, a book has leaves, which are to be leafed through.
The "we" in Kafkas the trees does not necessary have to apply to a human we, but also can apply to the we, as in the letters on the page of the book. Kafka draws attention to how the shadows left by the trees, produces an image or an outline which feels reminiscent to the letters on the page. How does light, and shadow - function as a form of earths typography? How could this function as a form of communication between the artist - and the rouge. as we read the landscape.
(plays into this idea of multiplicity and non identity, shadows, ever shifting make room for never ending transformation)