we are working

Satyam Mistry / Olive Wei / Auden Tura / Ella Spitzer-Stephan


Why Look At Animals?
Eliot Haworth
https://www.instagram.com/whylookatanimals/
Notes

 













Satyam. M
Category
(non-human+ habitat)
(architecture)
(landscape)

Source Type
(social media) (image)




Seasonal Neighbours https://seasonalneighbours.com/Trajectories











Satyam. M
Category
(non-human + habitat)
(artists)

Source Type
(image)
(text)
(book)


Seeds at the table


Seasonal Matters Rural Relations 
Fieldnotes on rythms, rituals and cohabitation
Sacred Fire Pot


Folly- Dove Tails
https://follyarch.info/Dove-Tales












Satyam. M
Category
(non-human + habitat)
(artists)

Source Type
(image)
(exhibition)
(architecture)

exhibition view
   
exhibition view


Redistribution Seth Price 
http://sethpricestudio.com/writingarchive/RedistributionTranscript.pdf
Notes















Olive. W
Category
(publication methods) (artists)

Source Type
(text) (book) (image) 


video transcript 

Enviromental Comics
Aidan Koch


Notes 








 




Ella .S
Category
 (Chthulucene) (artists) (landscape) 
Source Type(text) (image)(illustration)



Publishing as an Artistic Toolbox: 1989–2017
Kuntshalle Wien
https://kunsthallewien.at/en/exhibition/publishing-as-an-artistic-toolbox-1989-2017/

Notes














.

Olive. W
Category
(public art) (publication methods)

Source Type
(exhibition) (link) (image)


exhibition view

The Crow & the Pitcher











Auden. T
Category
(archive + encounter) (mythology)

Source Type
(image) (text)

  

Yuji Agematsu
https://film-makerscoop.com/catalogue/david-gatten-what-the-water-said-nos-1-3
Notes










Auden. T
Category
(non-human + habitat) (archive + encounter) (artists)

Source Type
(image) (exhibitions) 


 
Grafisches Kabinett at secession

decorator crabs collect anemones










Auden. T
Category
(non-human + habitat) (archive + encounter) 

Source Type
(image) 


  
Biennale Gherdëina 9, “The Parliament of Marmots”
(May 31–September 1, 2024)
Novuyo Moyohttps://www.e-flux.com/criticism/617489/biennale-gherdina-9-the-parliament-of-marmots


































Ella. S
Category
(chthulucene) (public art) (artists)
Source Type
(text) (exhibitions) (image)


First Came the Ocean,  Ingela Ihrman
Fortune’s always hiding, I’ve looked everywhere, Ruth Beraha