What freedom is born with time spent in nature - how do the visitors of the rouge feel temporary relief from day to days performativity - the experience of feeling watched remains, yet now is replaced by the non human.
How does the way one interacts with a work of public art in the rouge - differ from the experience of engaging with it in the gallery? Galleries are stiff - stagnant -one tends to feel perpetually observed be the gallerist or other visitors. Often one is more focused on how one should act or appear in a gallery than focused on the works at hand.
This is liberated in the beauty of creating a work which exists in a public space, which paradoxically feels more private and intimate than a gallery setting might.